20 AI promptov za naslovnice kriminalk in trilerjev
Na naslovnici trilerja slika ni zvezda – zvezda je naslov. Preleti katerikoli seznam uspešnic: ena drzna grafična zamisel in ogromno prostora za velikanske črke. Spodnji prompti so zgrajeni tako – en sam hladen motiv, trd kontrast in zgornja tretjina, ki ostane tiha, da lahko tvoj naslov kriči.
Kako je sestavljena naslovnica kriminalke
- Ena grafična zamisel, povečana do skrajnosti. Najbolje prodajani trilerji kažejo en predmet ali eno silhueto, nikoli prizora – zaplet ostane v knjigi.
- Naslovu daj zgornjo tretjino. Konvencija trilerjev so ogromne črke; slika, ki zleze v ta prostor, te stane prodajo.
- Hladna osnova, ena opozorilna barva. Jeklenomodri, grafitni in dežnosivi toni nosijo razpoloženje; en sam poudarek – natrijevo oranžna, krvavordeča vrvica – vodi oko.
- Preskoči pištolo. To je stock fotografija žanra; rokavica, ključ ali osvetljeno okno je konkretnejše, bolj vznemirljivo in manj uporabljeno.
- Kontrast je napetost. Skoraj črna podlaga z eno trdo lučjo preživi sličico na Amazonu; godlja srednjih tonov se bere kot literarna drama, ne kot kriminalka.
Sled
Zločin se pripoveduje s tem, kar pusti za seboj: rokavica na asfaltu, ključi v odtoku, en čevelj ob črti plime. En sam močno osvetljen predmet se prebere takoj že v velikosti sličice in postavi edino vprašanje, mimo katerega ne more nihče, ki brska – kaj se je tu zgodilo?
1. Glove on Asphalt
Kratek brief (en klik v studio)A single leather glove lying on wet asphalt at night, one hard light directly above it, everything beyond the pool of light black.Odpri v studiu →
Celoten prompt za druga orodja
A single leather glove lying palm-up on wet asphalt at night, one hard streetlight directly above it, rain rings spreading at the edge of the pool of light. No people, no cars. Tight low-angle framing, sodium-white highlight on black ground, high contrast, cinematic grain, deep darkness filling the upper frame.2. Keys in the Drain
Kratek brief (en klik v studio)A ring of house keys caught in a storm-drain grate, grey rainwater rushing over them, cold morning light.Odpri v studiu →
Celoten prompt za druga orodja
A ring of house keys caught between the bars of a storm-drain grate, grey rainwater rushing over them, one key still swinging. Macro framing from just above the kerb. Cold steel-blue palette, wet iron texture, shallow depth of field, the street beyond dissolving into calm empty grey in the upper frame.3. Pinned Photograph
Kratek brief (en klik v studio)One photograph pinned to a bare wall, its subject blurred past recognition, a desk lamp raking light across it.Odpri v studiu →
Celoten prompt za druga orodja
A single photograph pinned to a bare plaster wall, its subject motion-blurred past recognition, one desk lamp raking hard light across the paper from the side. Nothing else on the wall, no writing anywhere. Warm lamp against cold shadow, visible print grain, still-life composition, wide calm darkness above the pin.4. Tape in the Wind
Kratek brief (en klik v studio)Plain unprinted yellow tape stretched across a dark doorway, one end torn loose and lifting in the night wind.Odpri v studiu →
Celoten prompt za druga orodja
Plain unprinted yellow barrier tape stretched across a dark doorway, one end torn loose and lifting in the night wind, a bare bulb burning somewhere deep inside. No figures, no markings on the tape. Yellow slash against near-black, shallow focus, urban grit texture, the doorway's darkness rising into an empty upper frame.5. Shoe at the Tide Line
Kratek brief (en klik v studio)A single shoe standing upright at the tide line at dawn, flat grey sea behind it, no footprints anywhere.Odpri v studiu →
Celoten prompt za druga orodja
A single shoe standing upright at the tide line at first light, flat grey sea behind it, a thin line of foam reaching almost to the laces. No footprints, no figure. Low camera at sand level, muted blue-grey palette, soft overcast light, fine film grain, vast calm sky filling the upper two thirds of the frame.Nočno mesto
Dež, natrijeva svetloba in ena oddaljena silhueta prodajajo kriminalne romane že devetdeset let in jih prodajajo še danes. Ulične svetilke, uličice in požarna stopnišča ti dajo navpično kadriranje, ki se naravno prilega pod velik blok z naslovom.
6. Sodium Rain
Kratek brief (en klik v studio)An empty city street at night in heavy rain, sodium lamps burning down the block, one distant silhouette under an umbrella.Odpri v studiu →
Celoten prompt za druga orodja
An empty city street at night in heavy rain, a row of sodium lamps burning orange down the block, one distant silhouette under an umbrella at the far corner. Wet asphalt mirroring every light. Sodium-orange and ink-blue palette, tall lamp posts framing the shot, cinematic grain, dark calm sky above the rooflines.7. Neon Puddle
Kratek brief (en klik v studio)A rain puddle on dark pavement reflecting smears of neon colour, the shadow of a figure just entering the reflection.Odpri v studiu →
Celoten prompt za druga orodja
A deep rain puddle on dark pavement reflecting smears of unreadable neon colour, the shadow of a figure just entering the edge of the reflection. Shot from low over the water, no signs legible anywhere. Cyan and magenta on wet black, glossy texture, shallow focus, the street above fading into quiet darkness in the upper frame.8. Fire Escape
Kratek brief (en klik v studio)A narrow brick alley at night framed by fire escapes, steam rising from a grate, one lit window high above.Odpri v studiu →
Celoten prompt za druga orodja
A narrow brick alley at night framed by black fire-escape ladders on both sides, steam rising from a grate mid-frame, a single lit window high above. No people. Steel-blue palette with one warm window accent, hard vertical lines, wet brick texture, film grain, the alley walls converging into calm darkness at the top.9. Last Streetlight
Kratek brief (en klik v studio)Fog closing around a single streetlight at the end of a long wet road, its cone of light the only landmark.Odpri v studiu →
Celoten prompt za druga orodja
Fog closing around a single streetlight at the end of a long wet road, its cone of light the only landmark in the frame, tail-lights long gone. Sodium glow diffused to a halo. Grey-green fog palette with one amber core, soft gradients, heavy atmosphere, vast dim emptiness above the lamp.10. Harbour at Three
Kratek brief (en klik v studio)A dockside crane and mooring bollards in night fog, black water lapping, one small figure far along the quay.Odpri v studiu →
Celoten prompt za druga orodja
A dockside crane rising into night fog above a row of mooring bollards, black harbour water lapping at the quay, one small figure far along the waterline. No ships lit. Charcoal and cold green palette, industrial verticals, wet stone texture, cinematic grain, fog swallowing the crane into a calm empty upper frame.Priča
Osvetljeno okno čez cesto, vzvratno ogledalo, napol odprte žaluzije: nekdo gleda ali je gledan. Te naslovnice postavijo tistega, ki brska, sredi nadzora, ta tiha groza pa se prodaja bolje kot katera koli eksplozija.
11. The Lit Window
Kratek brief (en klik v studio)One warm lit window in a dark apartment block across the street, the outline of a figure behind thin curtains, night rain.Odpri v studiu →
Celoten prompt za druga orodja
A dark apartment block filling the frame at night, one window lit warm, the outline of a standing figure behind thin curtains. Seen from street level through light rain. Deep blue facade with a single amber rectangle, strict geometric composition, wet glass texture, the block's unlit upper floors keeping the top of the frame quiet.12. Rear-View
Kratek brief (en klik v studio)A car's rear-view mirror at night holding a pair of headlights far behind on an empty road, dashboard dark below.Odpri v studiu →
Celoten prompt za druga orodja
The rear-view mirror of a parked car at night, holding a pair of headlights far behind on an otherwise empty road, the dashboard dark below it. Shallow focus on the mirror. Cold blue night with two white points of glare, cinematic grain, quiet interior shadow, the windscreen above fading into calm darkness.13. End of the Platform
Kratek brief (en klik v studio)An empty station platform at night, one figure standing motionless at the far end just beyond the last working light.Odpri v studiu →
Celoten prompt za druga orodja
An empty railway platform at night seen straight down its length, one figure standing motionless at the far end just beyond the last working light. Rails wet, information boards dark and blank. Fluorescent green-grey palette, strong single-point perspective, film grain, the station canopy dissolving into an empty upper frame.14. Half-Open Blinds
Kratek brief (en klik v studio)Venetian blinds half open in a dark office, bars of streetlight across an empty chair, a shadow passing outside.Odpri v studiu →
Celoten prompt za druga orodja
Venetian blinds half open in a dark office at night, bars of orange streetlight falling across an empty desk chair, the shadow of someone passing outside sliding through the stripes. No face visible. Classic noir slat lighting, amber on charcoal, sharp shadow geometry, the ceiling above lost in calm darkness.15. Blue Glow
Kratek brief (en klik v studio)A phone glowing in a dark parked car, lighting a gloved hand from below, the street empty beyond the windscreen.Odpri v studiu →
Celoten prompt za druga orodja
A phone glowing pale blue inside a dark parked car, lighting a gloved hand from below, its screen a blank glare with nothing readable on it. The street beyond the windscreen empty and wet. Cold blue key light against black interior, tight framing, film grain, the car roofline leaving the upper frame in still darkness.Dosje
Vrečke z dokazi, plutovinaste table, miza za zaslišanje – dokumentacija zločina sporoča policijski postopek natanko tistemu bralcu, ki si ga želi. Kot tihožitja jih je preprosto ohraniti varne za naslov: miza zapolni spodnji del kadra, tema nad njo pa pripada tvojim črkam.
16. Evidence Bag
Kratek brief (en klik v studio)A single wristwatch sealed in a clear evidence bag on a steel table, hard white light, the label an empty rectangle.Odpri v studiu →
Celoten prompt za druga orodja
A wristwatch sealed inside a clear plastic evidence bag lying on a brushed steel table, hard white light from directly above, the bag's label an empty white rectangle with no writing. Nothing else on the table. Clinical palette of steel grey and glare, macro texture on the plastic creases, still-life framing, empty grey space above.17. Interrogation Table
Kratek brief (en klik v studio)A bare metal table and two facing chairs under one hanging lamp, thin smoke curling through the cone of light.Odpri v studiu →
Celoten prompt za druga orodja
A bare metal table and two facing chairs in a dark room, one low-hanging lamp throwing a hard cone of light onto the tabletop, thin smoke curling through the beam. Walls lost in shadow. Green-grey institutional palette, single hard source, worn metal texture, the darkness above the lamp keeping the upper frame calm.18. Red String
Kratek brief (en klik v studio)A corkboard of photographs joined by red string, every face lost in shadow, a desk lamp lighting it from below.Odpri v studiu →
Celoten prompt za druga orodja
A corkboard covered in photographs joined by lines of red string, every photograph angled or shadowed so that no face and no writing can be read, one desk lamp lighting it from below. Pins glinting. Warm lamp on dark cork, tangled red geometry, film grain, the board's upper edge fading into darkness.19. The Redacted Page
Kratek brief (en klik v studio)A typed page under a desk lamp, its lines dissolved to soft grey bands, heavy black bars of shadow crossing it.Odpri v studiu →
Celoten prompt za druga orodja
A single typewritten page lying under a desk lamp, its lines rendered as soft unreadable grey bands, heavy bars of black shadow crossing the paper like redactions, a pencil beside it. No legible letters anywhere. Warm paper against deep shadow, macro grain, still-life composition, wide calm darkness filling the top of the frame.20. Cold Case
Kratek brief (en klik v studio)A stack of worn folders on a desk at night, the top one open on a blurred photograph, coffee gone cold beside it.Odpri v studiu →
Celoten prompt za druga orodja
A stack of worn card folders on a wooden desk at night, the top folder open on a single motion-blurred photograph, a cup of coffee gone cold beside it, any marks on the folders reduced to illegible smudges. One tungsten desk lamp, amber and umber palette, paper texture, the office behind dissolving into quiet dark upper space.Zakaj zgornja tretjina ostane prazna
Slikovni modeli še vedno popačujejo črke, zato vsak zgornji prompt prepoveduje besedilo v grafiki in ohranja zgornjo tretjino mirno. Tvoj naslov se nato doda kot prava, urejljiva tipografija v naslovni pisavi tvojega žanra – besedo lahko zamenjaš, naslov prevedeš ali mu spremeniš velikost, ne da bi bilo treba znova ustvariti grafiko.
Preizkusi s svojim naslovom
Pogosta vprašanja
Zakaj ti prompti pravijo »brez besedila«?
Slikovni modeli še vedno popačujejo črke, naslova, vpečenega v sliko, pa ni mogoče urediti, prevesti ali mu spremeniti velikosti. Vsak prompt tu prepoveduje besedilo na sliki; tvoj naslov se doda pozneje kot prava tipografija – v studiu se samodejno uporabi naslovna pisava za kriminalke in trilerje.
Za katero AI-orodje so napisani ti prompti?
Dolga različica deluje v vsakem slikovnem modelu – Midjourney, DALL·E, Stable Diffusion, Flux. Kratka različica je napisana za polje za brief v orodju Veritas, ki ti doda žanrsko likovno usmeritev in pravila za varno območje naslova.
Ali lahko na KDP prodajam triler z AI-naslovnico?
Amazon dovoljuje vsebino, ustvarjeno ob pomoči AI, in te prosi, da ob objavi razkriješ uporabo AI. Ustvari prek plačljivega komercialnega API-ja – kot to počne ta studio – in pred nalaganjem preveri aktualne smernice KDP za vsebino.
Kako ohranim berljivost naslovnice v velikosti sličice?
En motiv, en vir svetlobe, dve tonski vrednosti – nato preizkusi: skrči naslovnico na približno 160 slikovnih pik višine in preveri, ali je naslov še vedno berljiv. Brezplačno orodje za sličice na tem spletnem mestu počne natanko to.