20 AI promptov za naslovnice grozljivk
Naslovnice grozljivk ne uspejo iz ravno nasprotnega razloga, kot ga pričakujejo ljudje: prikazanega je preveč. Spodnji prompti temeljijo na zadržanosti – ena podrobnost, veliko teme in kompozicija, ki zgornjo tretjino kadra pušča mirno, da ima tvoj naslov kje živeti.
Kako se zasnuje naslovnica grozljivke
- En motiv, nikoli dva. Drugi predmet spremeni slutnjo v prizor, prizor pa se razloži sam.
- Zgornjo tretjino pusti mirno. Ta prostor pripada naslovu – slika, ki ga zapolni, se bori s tipografijo.
- Svetloba iz enega vira. Dve smeri svetlobe učinkujeta kot produkcijska vrednost; grozljivka želi eno samo napačno svetlobo.
- Propadanje premaga krvavost. Gniloba, vlaga, prah in obraba ostanejo vidni tudi v sličici na Amazonu; kri postane rjava packa.
- Skrij obraz. Silhueta, pritisk za tkanino, roka na robu – bralec sliko dokonča sam.
Praznina
Praznina je najcenejše in najmočnejše sredstvo grozljivke: bralčeva domišljija jo zapolni hitreje kot katerakoli upodobitev. Teh pet promptov ohranja kader skoraj prazen, kar pušča tudi največ prostora za velik naslov.
1. Empty Corridor
Kratek brief (en klik v studio)A long empty hospital corridor at night, one flickering light far away, wet floor reflecting it, everything else dark.Odpri v studiu →
Celoten prompt za druga orodja
A long empty hospital corridor at night, seen straight on. One flickering fluorescent light far down the hall, wet linoleum reflecting it. Paint peeling, no people, no signage. Deep shadow fills the upper part of the frame. 35mm film grain, muted green-grey palette, single cold light source.2. White Room
Kratek brief (en klik v studio)A bare white room with one dark doorway at the far end, harsh overhead light, no furniture, unsettling emptiness.Odpri v studiu →
Celoten prompt za druga orodja
A bare white room photographed from the centre, one dark open doorway at the far wall. Harsh overhead light, no furniture, faint scuff marks on the floor. The emptiness is the subject. Clean digital rendering, cold white palette with a single black void, deep depth of field.3. Snow Field
Kratek brief (en klik v studio)An endless snow field under a colourless sky, one set of footprints ending halfway, no figure in sight.Odpri v studiu →
Celoten prompt za druga orodja
An endless flat snow field under a colourless overcast sky. A single set of footprints crosses the frame and stops halfway, with nothing at the end. No figure, no horizon detail. Muted blue-grey palette, soft diffused daylight, fine film grain, vast empty upper sky.4. Still Water
Kratek brief (en klik v studio)Black still water filling the frame, one pale ripple spreading from an unseen point, night, no shoreline.Odpri v studiu →
Celoten prompt za druga orodja
Black still water filling the frame at night, one pale ripple spreading outward from an unseen point below the surface. No shoreline, no boat, no moon. Ink-dark palette with a single silver highlight, long exposure feel, high contrast, matte finish.5. Dead Channel
Kratek brief (en klik v studio)An old CRT television alone in a dark room showing static, its glow the only light, dust in the air.Odpri v studiu →
Celoten prompt za druga orodja
An old CRT television alone in a dark room showing static, its glow the only light in the frame. Dust visible in the beam, carpet worn, room otherwise empty. 1980s domestic horror mood, grainy analogue texture, sickly grey-blue light, heavy vignette.Prag
Vrata, vhod ali odprtina namigujejo, da je nekaj šlo skoznje. Naslovnice s pragom prodajajo napetost, ne da bi pokazale pošast, njihove pokončne oblike pa se naravno umestijo pod blok z naslovom.
6. Cellar Door
Kratek brief (en klik v studio)A cellar door standing open a few centimetres, warm light behind it, wooden steps disappearing into black.Odpri v studiu →
Celoten prompt za druga orodja
A cellar door standing open a few centimetres in a dim hallway, faint warm light leaking from the gap, wooden steps disappearing into black below. Nothing visible inside. Handheld photographic framing, warm-cold contrast, heavy shadow, film grain.7. Forest Gate
Kratek brief (en klik v studio)A rusted iron gate in a fog-filled pine forest, half open, path beyond it fading into white.Odpri v studiu →
Celoten prompt za druga orodja
A rusted iron gate standing half open in a fog-filled pine forest, the path beyond fading into white. Wet needles on the ground, no signage, no figure. Cold desaturated palette, soft diffused light, silver fog, tall vertical trees framing the sides.8. Motel Room 9
Kratek brief (en klik v studio)A motel room door numbered 9 at night, chain lock hanging cut, interior dark beyond the gap.Odpri v studiu →
Celoten prompt za druga orodja
A motel room door numbered 9 photographed at night from the walkway, the chain lock hanging cut, the interior dark beyond the gap. Buzzing sodium light overhead, moths, cracked concrete. Sodium-orange and deep blue palette, grainy, hard directional light.9. Church Doorway
Kratek brief (en klik v studio)A stone church doorway at dusk, doors open onto absolute darkness, candles unlit, rain on the steps.Odpri v studiu →
Celoten prompt za druga orodja
A stone church doorway at dusk, heavy doors open onto absolute darkness inside. Unlit candles in the porch, rain pooling on the worn steps. No congregation. Cold grey stone, single warm reflection, soft twilight, restrained palette, quiet dread.10. Elevator
Kratek brief (en klik v studio)An open elevator at the end of a dim hallway, its interior light dying, doors held open by nothing.Odpri v studiu →
Celoten prompt za druga orodja
An open elevator at the end of a dim office hallway, its interior light dying, doors held open with no one there. Worn carpet, ceiling tiles stained. Late-night office horror mood, green-grey fluorescent palette, hard shadows, slight lens distortion.Ostanek
Predmeti, ki so ostali za nekom, nosijo zgodbo: čevelj, pogrnjena miza, ožgana fotografija. V velikosti sličice se berejo takoj, ker so posamezni motivi z visokim kontrastom.
11. Left Behind
Kratek brief (en klik v studio)A child's shoe alone on wet asphalt at night, streetlight above, rain rings spreading around it.Odpri v studiu →
Celoten prompt za druga orodja
A single child's shoe alone on wet asphalt at night, a streetlight directly above, rain rings spreading around it. No people, no car. Tight low-angle framing, sodium light, black wet ground, high contrast, cinematic grain.12. Overgrown House
Kratek brief (en klik v studio)A house half swallowed by ivy, windows dark, front door missing, summer light on a dead lawn.Odpri v studiu →
Celoten prompt za druga orodja
A suburban house half swallowed by ivy, windows dark, the front door missing entirely. Dead lawn, bright flat summer light that makes it worse. Documentary framing, faded colour palette, no people, quiet wrongness.13. Dinner Table
Kratek brief (en klik v studio)A set dinner table covered in dust, chairs pushed back, food long gone, light through shutters.Odpri v studiu →
Celoten prompt za druga orodja
A formal dinner table still set but covered in years of dust, chairs pushed back as if everyone left at once. Bars of light through closed shutters. Muted sepia palette, floating dust, still-life composition, decay texture, no figures.14. Hair and Water
Kratek brief (en klik v studio)A porcelain bathtub with dark water and strands of hair over the rim, tiles cracked, cold light.Odpri v studiu →
Celoten prompt za druga orodja
A porcelain bathtub filled with dark still water, strands of hair over the rim, cracked tiles around it. Cold north light from a frosted window. Restrained horror, desaturated palette, sharp texture on porcelain and grout, nothing else in frame.15. Burned Photograph
Kratek brief (en klik v studio)A burned family photograph on floorboards, faces missing, ash around the edges, one lamp lighting it.Odpri v studiu →
Celoten prompt za druga orodja
A burned family photograph lying on old floorboards, the faces exactly where the burn holes are, ash scattered around the edges. One warm lamp lighting it from the side. Macro framing, deep shadow above, film grain, amber and black palette.Prisotnost
Nekaj je tam, a nikoli ni v celoti prikazano. Postavo prikaži le delno – za tkanino, na robu sence, previsoko v množici – in naslovnica še ob desetem pogledu vzbuja nelagodje.
16. Behind the Curtain
Kratek brief (en klik v studio)A closed curtain with the shape of a standing figure pressed against it, night, lamp behind.Odpri v studiu →
Celoten prompt za druga orodja
A closed curtain in a dark room with the shape of a standing figure pressed against it from the other side, lit from behind by a street lamp. No face, no detail, only silhouette pressure. Cold blue backlight, deep interior shadow, restrained and quiet.17. Too Many Legs
Kratek brief (en klik v studio)A crowd photograph where one figure at the back is too tall, faces blurred, sunlight harsh.Odpri v studiu →
Celoten prompt za druga orodja
A vintage crowd photograph on a village square, all faces motion-blurred, one figure standing at the back that is subtly too tall. Harsh midday sunlight, high contrast, faded colour, documentary framing, the wrongness easy to miss at first glance.18. Under the Bed
Kratek brief (en klik v studio)The dark gap under a child's bed at night, one pale hand resting at its edge, toys scattered.Odpri v studiu →
Celoten prompt za druga orodja
The dark gap under a child's bed at night, one pale hand resting at the edge of the shadow, toys scattered on the floor nearby. Low camera to the floor, warm nightlight from the right, everything above the bed lost in darkness.19. Mirror Delay
Kratek brief (en klik v studio)A bathroom mirror where the reflection is a fraction behind, steam on the glass, one bare bulb.Odpri v studiu →
Celoten prompt za druga orodja
A steamed bathroom mirror where the reflection appears a fraction out of step with the room, one bare bulb overhead, water beading on the glass. Face never fully visible. Grey-green palette, harsh top light, wet texture, uneasy symmetry.20. Field Watcher
Kratek brief (en klik v studio)A wheat field at dusk with one dark upright shape far off, too still to be a scarecrow.Odpri v studiu →
Celoten prompt za druga orodja
A wheat field at dusk with one dark upright shape standing far off among the rows, too still and too thin to be a scarecrow. Low sun behind it, long shadows across the crop. Golden-to-grey palette, wide vertical sky, film grain.Zakaj zgornja tretjina ostane prazna
Slikovni modeli še vedno popačujejo črke, zato vsak zgornji prompt prepoveduje besedilo v grafiki in ohranja zgornjo tretjino mirno. Tvoj naslov se nato doda kot prava, urejljiva tipografija v naslovni pisavi tvojega žanra – besedo lahko zamenjaš, naslov prevedeš ali mu spremeniš velikost, ne da bi bilo treba znova ustvariti grafiko.
Preizkusi s svojim naslovom
Pogosta vprašanja
Zakaj ti prompti pravijo »brez besedila«?
Slikovni modeli še vedno popačijo črke, naslova, vpečenega v grafiko, pa ni mogoče urejati, prevajati ali mu spreminjati velikosti. Vsak prompt tukaj prepoveduje besedilo v sliki; tvoj naslov se nato postavi kot pravo besedilo – v studiu se samodejno uporabi naslovna pisava za grozljivke.
Za katero AI orodje so ti prompti napisani?
Dolga različica deluje v vsakem slikovnem modelu – Midjourney, DALL·E, Stable Diffusion, Flux. Kratka različica je napisana za polje za opis v orodju Veritas, ki namesto tebe doda žanrsko likovno usmeritev in pravila za varen prostor naslova.
Ali lahko grozljivko z AI-naslovnico prodajam prek KDP?
Amazon dovoljuje vsebino s pomočjo AI in te prosi, da ob objavi razkriješ uporabo AI. Ustvarjaj prek plačljivega komercialnega API-ja – kot to počne ta studio – in pred nalaganjem preveri trenutne smernice platforme KDP za vsebino.
Kako naj naslovnica ostane berljiva v velikosti sličice?
Uporabi en motiv, en vir svetlobe in paleto z dvema tonskima vrednostma. Nato preizkusi: skrči naslovnico na približno 160 slikovnih pik višine in preveri, ali je naslov še berljiv. Brezplačno orodje za sličice na tem spletnem mestu naredi natanko to.