20 AI promptova za horor korice knjiga
Horor korice zakažu iz suprotnog razloga nego što ljudi misle: prikazuje se previše. Promptovi u nastavku temelje se na suzdržanosti – jedan detalj, puno tame i kompozicija koja gornju trećinu kadra ostavlja mirnom, kako bi tvoj naslov imao svoje mjesto.
Kako se komponiraju horor korice
- Jedan motiv, nikad dva. Drugi predmet pretvara jezu u scenu, a scena sama sebe objašnjava.
- Gornju trećinu ostavi tihom. Taj prostor pripada naslovu – slika koja ga ispuni bori se s tipografijom.
- Svjetlo iz jednog izvora. Dva smjera svjetla djeluju kao produkcijska vrijednost; horor traži jedno pogrešno svjetlo.
- Raspadanje pobjeđuje krvoproliće. Trulež, vlaga, prašina i istrošenost prežive sličicu na Amazonu; krv se pretvara u smeđu mrlju.
- Uskrati lice. Silueta, pritisak iza tkanine, ruka na rubu – čitatelj sam dovršava sliku.
Praznina
Praznina je najjeftiniji i najjači horor postupak: čitateljeva mašta popunjava je brže od bilo kojeg rendera. Ovih pet promptova drži kadar gotovo praznim, što ostavlja i najviše prostora za velik naslov.
1. Empty Corridor

Kratki brief (jedan dodir do studija)A long empty hospital corridor at night, one flickering light far away, wet floor reflecting it, everything else dark.Otvori u studiju →
Cijeli prompt za druge alate
A long empty hospital corridor at night, seen straight on. One flickering fluorescent light far down the hall, wet linoleum reflecting it. Paint peeling, no people, no signage. Deep shadow fills the upper part of the frame. 35mm film grain, muted green-grey palette, single cold light source.2. White Room
Kratki brief (jedan dodir do studija)A bare white room with one dark doorway at the far end, harsh overhead light, no furniture, unsettling emptiness.Otvori u studiju →
Cijeli prompt za druge alate
A bare white room photographed from the centre, one dark open doorway at the far wall. Harsh overhead light, no furniture, faint scuff marks on the floor. The emptiness is the subject. Clean digital rendering, cold white palette with a single black void, deep depth of field.3. Snow Field
Kratki brief (jedan dodir do studija)An endless snow field under a colourless sky, one set of footprints ending halfway, no figure in sight.Otvori u studiju →
Cijeli prompt za druge alate
An endless flat snow field under a colourless overcast sky. A single set of footprints crosses the frame and stops halfway, with nothing at the end. No figure, no horizon detail. Muted blue-grey palette, soft diffused daylight, fine film grain, vast empty upper sky.4. Still Water
Kratki brief (jedan dodir do studija)Black still water filling the frame, one pale ripple spreading from an unseen point, night, no shoreline.Otvori u studiju →
Cijeli prompt za druge alate
Black still water filling the frame at night, one pale ripple spreading outward from an unseen point below the surface. No shoreline, no boat, no moon. Ink-dark palette with a single silver highlight, long exposure feel, high contrast, matte finish.5. Dead Channel

Kratki brief (jedan dodir do studija)An old CRT television alone in a dark room showing static, its glow the only light, dust in the air.Otvori u studiju →
Cijeli prompt za druge alate
An old CRT television alone in a dark room showing static, its glow the only light in the frame. Dust visible in the beam, carpet worn, room otherwise empty. 1980s domestic horror mood, grainy analogue texture, sickly grey-blue light, heavy vignette.Prag
Vrata, kapija ili otvor nagovještavaju da je nešto kroz njih prošlo. Korice s motivom praga prodaju napetost bez prikazivanja čudovišta, a njihovi okomiti oblici prirodno stoje ispod bloka s naslovom.
6. Cellar Door

Kratki brief (jedan dodir do studija)A cellar door standing open a few centimetres, warm light behind it, wooden steps disappearing into black.Otvori u studiju →
Cijeli prompt za druge alate
A cellar door standing open a few centimetres in a dim hallway, faint warm light leaking from the gap, wooden steps disappearing into black below. Nothing visible inside. Handheld photographic framing, warm-cold contrast, heavy shadow, film grain.7. Forest Gate
Kratki brief (jedan dodir do studija)A rusted iron gate in a fog-filled pine forest, half open, path beyond it fading into white.Otvori u studiju →
Cijeli prompt za druge alate
A rusted iron gate standing half open in a fog-filled pine forest, the path beyond fading into white. Wet needles on the ground, no signage, no figure. Cold desaturated palette, soft diffused light, silver fog, tall vertical trees framing the sides.8. Motel Room 9
Kratki brief (jedan dodir do studija)A motel room door numbered 9 at night, chain lock hanging cut, interior dark beyond the gap.Otvori u studiju →
Cijeli prompt za druge alate
A motel room door numbered 9 photographed at night from the walkway, the chain lock hanging cut, the interior dark beyond the gap. Buzzing sodium light overhead, moths, cracked concrete. Sodium-orange and deep blue palette, grainy, hard directional light.9. Church Doorway
Kratki brief (jedan dodir do studija)A stone church doorway at dusk, doors open onto absolute darkness, candles unlit, rain on the steps.Otvori u studiju →
Cijeli prompt za druge alate
A stone church doorway at dusk, heavy doors open onto absolute darkness inside. Unlit candles in the porch, rain pooling on the worn steps. No congregation. Cold grey stone, single warm reflection, soft twilight, restrained palette, quiet dread.10. Elevator
Kratki brief (jedan dodir do studija)An open elevator at the end of a dim hallway, its interior light dying, doors held open by nothing.Otvori u studiju →
Cijeli prompt za druge alate
An open elevator at the end of a dim office hallway, its interior light dying, doors held open with no one there. Worn carpet, ceiling tiles stained. Late-night office horror mood, green-grey fluorescent palette, hard shadows, slight lens distortion.Ostatak
Ostavljeni predmeti nose priču: cipela, postavljen stol, izgorjela fotografija. Na veličini sličice odmah se čitaju jer su to pojedinačni motivi visokog kontrasta.
11. Left Behind

Kratki brief (jedan dodir do studija)A child's shoe alone on wet asphalt at night, streetlight above, rain rings spreading around it.Otvori u studiju →
Cijeli prompt za druge alate
A single child's shoe alone on wet asphalt at night, a streetlight directly above, rain rings spreading around it. No people, no car. Tight low-angle framing, sodium light, black wet ground, high contrast, cinematic grain.12. Overgrown House
Kratki brief (jedan dodir do studija)A house half swallowed by ivy, windows dark, front door missing, summer light on a dead lawn.Otvori u studiju →
Cijeli prompt za druge alate
A suburban house half swallowed by ivy, windows dark, the front door missing entirely. Dead lawn, bright flat summer light that makes it worse. Documentary framing, faded colour palette, no people, quiet wrongness.13. Dinner Table
Kratki brief (jedan dodir do studija)A set dinner table covered in dust, chairs pushed back, food long gone, light through shutters.Otvori u studiju →
Cijeli prompt za druge alate
A formal dinner table still set but covered in years of dust, chairs pushed back as if everyone left at once. Bars of light through closed shutters. Muted sepia palette, floating dust, still-life composition, decay texture, no figures.14. Hair and Water
Kratki brief (jedan dodir do studija)A porcelain bathtub with dark water and strands of hair over the rim, tiles cracked, cold light.Otvori u studiju →
Cijeli prompt za druge alate
A porcelain bathtub filled with dark still water, strands of hair over the rim, cracked tiles around it. Cold north light from a frosted window. Restrained horror, desaturated palette, sharp texture on porcelain and grout, nothing else in frame.15. Burned Photograph
Kratki brief (jedan dodir do studija)A burned family photograph on floorboards, faces missing, ash around the edges, one lamp lighting it.Otvori u studiju →
Cijeli prompt za druge alate
A burned family photograph lying on old floorboards, the faces exactly where the burn holes are, ash scattered around the edges. One warm lamp lighting it from the side. Macro framing, deep shadow above, film grain, amber and black palette.Prisutnost
Nešto je tu, ali se nikad ne prikazuje do kraja. Neka lik ostane djelomičan – iza tkanine, na rubu sjene, previsok u gomili – i korice će uznemiravati i na deseti pogled.
16. Behind the Curtain

Kratki brief (jedan dodir do studija)A closed curtain with the shape of a standing figure pressed against it, night, lamp behind.Otvori u studiju →
Cijeli prompt za druge alate
A closed curtain in a dark room with the shape of a standing figure pressed against it from the other side, lit from behind by a street lamp. No face, no detail, only silhouette pressure. Cold blue backlight, deep interior shadow, restrained and quiet.17. Too Many Legs
Kratki brief (jedan dodir do studija)A crowd photograph where one figure at the back is too tall, faces blurred, sunlight harsh.Otvori u studiju →
Cijeli prompt za druge alate
A vintage crowd photograph on a village square, all faces motion-blurred, one figure standing at the back that is subtly too tall. Harsh midday sunlight, high contrast, faded colour, documentary framing, the wrongness easy to miss at first glance.18. Under the Bed
Kratki brief (jedan dodir do studija)The dark gap under a child's bed at night, one pale hand resting at its edge, toys scattered.Otvori u studiju →
Cijeli prompt za druge alate
The dark gap under a child's bed at night, one pale hand resting at the edge of the shadow, toys scattered on the floor nearby. Low camera to the floor, warm nightlight from the right, everything above the bed lost in darkness.19. Mirror Delay
Kratki brief (jedan dodir do studija)A bathroom mirror where the reflection is a fraction behind, steam on the glass, one bare bulb.Otvori u studiju →
Cijeli prompt za druge alate
A steamed bathroom mirror where the reflection appears a fraction out of step with the room, one bare bulb overhead, water beading on the glass. Face never fully visible. Grey-green palette, harsh top light, wet texture, uneasy symmetry.20. Field Watcher

Kratki brief (jedan dodir do studija)A wheat field at dusk with one dark upright shape far off, too still to be a scarecrow.Otvori u studiju →
Cijeli prompt za druge alate
A wheat field at dusk with one dark upright shape standing far off among the rows, too still and too thin to be a scarecrow. Low sun behind it, long shadows across the crop. Golden-to-grey palette, wide vertical sky, film grain.Zašto gornja trećina ostaje prazna
Modeli slika i dalje deformiraju slova, pa svaki prompt iznad zabranjuje tekst na slici i drži gornju trećinu mirnom. Tvoj se naslov poslije postavlja kao pravi, uređivi tekst u naslovnom fontu tvog žanra – možeš promijeniti riječ, prevesti je ili promijeniti veličinu bez ponovnog generiranja slike.
Isprobaj sa svojim naslovom
Često postavljana pitanja
Zašto ovi promptovi navode „bez teksta“?
Modeli slika još uvijek izobličuju slova, a naslov utisnut u sliku ne može se uređivati, prevoditi ni skalirati. Svaki prompt ovdje zabranjuje tekst na slici; tvoj se naslov naknadno slaže kao pravi tekst – u studiju se automatski koristi display font horor žanra.
Za koji su AI alat napisani?
Duga verzija radi u bilo kojem modelu za slike – Midjourney, DALL·E, Stable Diffusion, Flux. Kratka je verzija napisana za polje za brief alata Veritas, koje umjesto tebe dodaje likovne smjernice žanra i pravila sigurnog prostora za naslov.
Mogu li na KDP-u prodavati horor knjigu s AI koricama?
Amazon dopušta sadržaj nastao uz pomoć AI alata i traži da pri objavi naznačiš njihovo korištenje. Generiraj putem plaćenog komercijalnog API-ja – kao što to radi ovaj studio – i prije prijenosa provjeri važeće KDP-ove smjernice o sadržaju.
Kako zadržati čitljivost korica na veličini sličice?
Koristi jedan motiv, jedan izvor svjetla i paletu od dvije tonske vrijednosti. Zatim to provjeri: smanji korice na visinu od oko 160 piksela i pogledaj čita li se naslov još uvijek. Besplatni alat za sličice na ovoj stranici radi upravo to.